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Human Moments No 10

“I think that we’re the bourgeoisie.”

“The what now?”

“You know.  Like Lenin and the Communist Revolution.  The great experiment of the proletariat overthrowing the bourgeoisie.  I think we’re the bourgeoisie.  We’re the bad guys.  Look at this house.”

“…..yeeeeeeeaaaah?”  My Beloved’s eyebrows wag.

“We have two bedrooms we don’t even use.”

“They’re guest rooms.”

“Exactly.”

“If having guest rooms makes us bad guys, I think…I can get used to being the bad guys.”

My Beloved rolls over on his half of our new king sized mattress and promptly begins to snore.  I lie awake longer, wary in our new house, uncertain when it will begin to feel like home.

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May You Live in Interesting Times

This is not a great time to be a sensitive person walking the world.

I’ve read a number of lovely blog posts that are clinging to hope, despite the dark and interesting times that our new administration seems to have put us in.  I’ve read poems and shared in the general outcry of the many, many people that are horrified at the recent actions of our country to tear apart Muslim families.  As the wife of a former green card holder, it’s been difficult not to walk around in panic, because our story can’t be told without also being an immigrant story that is very much like the people that I am reading about now — people who are being detained not 10 miles from my house.

My heart is not light, so I’m finding it hard to write light-hearted.  I have half a dozen blog posts that are queued up in draft, because I can’t quite seem to get to the right frame of mind to put something silly and frivolous into the world.

There is much that I could tell you about, much that I should have told you about by now.  We moved into a new house at Hallowe’en and settled into it. There were new couches and holidays and visitors and movies and books. I’ve been deep in research for a big writing project that’s now transitioning into plotting and draft writing.  I even went to a really big feminist party the day after the inauguration and cried at the sight of the hundreds of thousands of people with me that were standing up to say that they were watching the new administration.

I even got a new hat.

 

 

But it all feels very trivial, when turning to news or Facebook is such an onslaught of terrible things.  I found myself crying at work as I came across an article of a breastfeeding 11-month-old that was separated from her mother for a full day because of Trump’s Muslim travel ban.  Each story of adult children just trying to get their elderly parents back home or spouses trying to reunite or refugees that nearly made it onto what were once safe shores has hit me so hard. My Irish in-laws keep asking me what is going on in my country and I am terrified by all the answers that keep coming out of my mouth.

It is very tempting to go hide in fiction for the next four years.  That is, actually, part of what I’ve been doing to restore myself.  Each night, after we talk at dinner of all the terrible things that have happened each day, I hide on the couch and cover myself in blankets and let myself luxuriate in story telling.  If I close my eyes, will it just go away?

Unfortunately not, not if I want the world to be a place for Baba, with her double passports and international family.  Not if I want to lift my head and look back at these days and respect myself for not standing by the side and letting others speak out against deep injustice.

And so.  There is work to do, even if it feels like my efforts accomplish very little.  I saw a tweet recently quoted somewhere that said that if you always wondered how you would have behaved as you read about history, then you’re getting a good chance to know, because whatever it is that you’re doing now is what you would have done then.

That’s stuck with me – as both a calling and a command.

 

 

 

 

 

 

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2016: A Year in Books

Historical Fiction

  • Mozart’s Sister, A.M. Baud
  • The Sympathizer, Viet Thanh Nguyen
  • War Brides, Helen Bryan
  • At the Edge of the Orchard, Tracy Chevalier
  • The Japanese Lover, Isabel Allende
  • The Master Butcher’s Singing Club, Louise Erdich
  • Belgravia, Julian Fellowes
  • Mozart’s Sister, Rita Charbonnier

Perhaps it is the events of 2016 that have thrown me into a desire to see the past brought to life, in only the way that historical fiction can. But, looking at the list, I can see that it’s more that some favorite authors put out books this year.  Tracy Chevalier, author of The Girl with the Pearl Earring, wrote a beautiful novel about a terrible family dysfunction that was haunting and terrible, in the most meaningful sense of the word.  Louise Erdich’s The Master Butcher’s Singing Club puts together the story of a town between World Wars, where the daughter of the town’s drunk returns home and finds an unlikely life among German immigrants.  Isabel Allende, who I loved for her novel The House of Spirits, took on the fortunes of two very different families affected by the Japanese internment camps during World War II.  These were all memorable novels, written by authors that are masters of their craft and genre and they move the reader by reminding us of some of the best parts of being human, even when confronted with the worst of history.

Speculative Fiction

In speculative fiction, I spent a year thinking about The Gate to Women’s Country, which is a novel unlike any that I’ve ever read before.  It came to me as a recommendation that I might enjoy and it’s true; it haunted me all year and gave me a lot of food for thought, which is exactly what good speculative fiction should do.  This year also had retreads of Gaiman’s The Ocean at the End of the Lane and Johnson’s In Another Life.  Both were worth it.

 

Mystery & Crime

  • The Second Stage of Grief, Katherine Hayton
  • Broken Harbor, Tana French
  • The Secret Place, Tana French

Tana French continues to be a favorite writer in crime.  It’s not a genre that I’ve read much of since the days when I shelved books in a mystery section as a volunteer high school student, but I’ve always loved French’s police procedurals for their deep dives into human psychology.  Her newest novel, The Trespasser, came out this year, which I am really looking forward to reading in 2017.

 

 

Contemporary Fiction

  • Three Weissmans of Westport, Cathleen Shine
  • A Visit from the Goon Squad, Jennifer Egan
  • The Burgess Boys, Elizabeth Strout
  • Her Name is Rose, Christine Breen
  • Monkey Bridge, Lin Cao
  • The Taming of Roses with Thorns, Margaret Dilloway

In contemporary fiction, A Visit from the Goon Squad took the cake, even though I wouldn’t have picked it up without a nudge from a book club.  Egan took on the rock n roll industry, writing a novel of interrelated short stories about the people surrounding an aging record executive.  The experimental nature of the book adds some fun to the story as well, with an entire story told via a Powerpoint slide.  It does actually work.  The Burgess Boys was another favorite, though much of that came from how well Strout managed to peg the New York import’s feelings about New York.  As an aging import myself, I found myself nodding and laughing along with some great passages.

 

Classics

  • Pride and Prejudice, Jane Austen
  • Little Women, Louisa May Alcott

I always know that the world is unsettling when I feel a need to reread Pride and Prejudice, which happens at least once every few years.  I’ve spent hours wondering what it is about this particular novel that is so delightful and could probably spend at least a few coffee dates speculating.  I love Austen’s work very much, but Pride and Prejudice is definitely the literary equivalent of your mom’s mac n cheese.  Little Women was a new read for me, though – a novel I’d always meant to get around to and somehow missed.  Although some aspects of the story have aged over the century and a half since it was published, I really understand how it has such a following.  The sequels are on my reading list for the future.

 

I’ve ended this year with the same regret as last year; I simply wish that I had read more.  I still can’t read with Baba around, because if she sees me reading a book without pictures, she pushes it out of my hands and brings me one of my books to read to her.  And so, if we’re counting board books, my number would triple.  I’ve read five books just today, in fact!  And there is much to admire in such simple story telling.  Some of the books that we read are just beautiful, between the artwork and the storytelling.  They may not be designed for adults, but this adult has really come to love books made for very small children.

As it is, this is the time for New Year’s Resolutions and, also, a new Goodreads reading challenge.  I have some books that I’ve really been looking forward to on my next-to-read list, like Daisy Goodwin’s Victoria and Elizabeth Strout’s much-talked-about Olive Kitteridge.  I’m halfway through Annie Proulx’s Barkskins and have just begun a biography of the Mozart family by Ruth Halliwell.   I’d love some recommendations — what have you read this year that blew your mind?

 

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The Dark Days of Winter

december-solstice-winterThese are dark days.

I mean that literally and figuratively; the winter solstice is, after all, upon us.  I am headed towards Manhattan in a grey and bleak morning that has barely lifted into day.  It’s raining, just enough to make me seem strange without an umbrella, but not enough to inspire me to take it out.  I am alone in this, one bare head in an army of black umbrellas.

Like most of the world, I’ve also been reeling from the U.S. Presidential election for the last month.  I’m sure it’s not hard for regular readers to guess which way I voted, so I’ll spare everyone all of that.  Watching the post-mortem has been painful, as the pundits looking for ratings try to blame someone or explain away a result that very few people predicted.  I, for one, am tired of trying to dissect American psychology, like we are all one big mass.  I’m even tired of reading explanations about the white working class or white middle-aged women or Latinos for Trump!, because it all simplifies the picture and does not lead to much listening.  It doesn’t even ring true.  I have a white working class husband who would never vote for the anti-union candidate.  I am a white woman who has been walking through the world with a new level of fear and anxiety.  For the first week, my stomach literally ached.  As the high level administration appointments have been coming in, starting with a literal neo-Nazi, I’ve had a hard time thinking about much else.  This is not who we are, except that it is apparently exactly who we are.  It is not who I want us to be.  Maybe I am just naive, but I’d thought we could all at least agree on the Nazis.

This anxiety is not sustainable.

I want to reach across the aisle and listen – and to reach across the aisle and be heard – but how do you do that with so many people shouting?  How do you do that when our elected officials are looking at the Japanese internment camps of World War II as a legal precedent?  How do you shut your eyes and ears when a man who ran a “news” site that runs articles like “How to Make Women Happy: Uninvent the Washing Machine and the Pill” is now one of the chief advisors of one of the most influential and powerful people in the world?  Just yesterday I read an article about a man with a gun showing up on a street that I know well because he chose to believe the vilest of Internet rumors.  A childhood friend’s family church was vandalized with white supremacist graffiti within days of the election. Another friend’s cousin, living on the other side of the country, had a swastika painted on her garage.  Closer to home, the NYPD is dealing with such a large spike in hate crimes that they are creating a special division just to deal with them.

I am afraid to shut my eyes.  I’m afraid that if I don’t shut my eyes, I will never live a normal life again.  How do you strike the balance?

I haven’t a clue.  I put big pink safety pins on all my jackets and purses.  In those first few days after the election, I was terrified to wear them, but I swallowed the fear and thought about how much braver it is to wear a hijab right now.  It is a little enough thing to put a pin on my clothes – a pin that can easily be removed to let me blend into the crowd where my pale skin and blue eyes will protect me. The KKK has been dropping flyers on my train.  Yesterday, another woman on the subway was attacked for wearing a hijab. When I tell myself that adding a safety pin to my clothing is the least that I can do, it really is the absolute least that I can do.  I have decided to be accountable to my pin, that I will not blend into the background when I see that someone is afraid, but I also despair that I won’t live up to it.

So here we are in the literal darkest days of the year, trying to find a way to creep back towards the light of summer.  On Sunday, we put up a Christmas tree in our new home, right in the giant bay window that I have fallen in love with.  When I turn the corner at night, I see it shining its manufactured light out into a world of darkness.  In a normal year, it would give me hope.  This year, I am trying hard to open myself up to be able to see its light.

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The Ocean at the End of the Lane by Neil Gaiman


ocean_at_the_end_of_the_lane_us_cover

When The Ocean at the End of the Lane came out in 2013, I thought it was a fine book.  I am a long time fan of Neil Gaiman’s work, which blends mythology with contemporary stories in a fine example of modern magic realism.  I like magic realism a lot, so this isn’t a very hard sell for me at all.  So when my book club voted in The Ocean at the End of the Lane, I said…sure, why not.  I’d better reread it, I thought, and since it is a short book, I left it for a few days before we were due to meet so that it would be fresh in my mind.

But sometimes, when you go and read a book that you read a long time ago, you find that it is different.  And so, in my second reading of novel, no one was more surprised than me to discover that the book gutted me.  I read it slowly, pausing to re-read a passage or twist my tongue over a phrase in the book.  Sometimes it is just that when you know the ending of a book that you read it differently.  And other times, it is because you’ve changed.  Your life has changed.  In 2013, I admired the beauty of the novel, particularly in the passages where Gaiman wrote about his father, who had just passed away.  I read the second chapter and paused, because it had only been a few years since I had lost my mother, and lingered over the passages of an adult child who has become lop-sided, because their frame of the universe has just been stripped away.

I slowed the car as I saw the new house.  It would always be the new house in my head.  I pulled up into the driveway, observing the way they had built out on the mid-seventies architecture.  I had forgotten that the bricks of the house were chocolate-brown.  The new people had made my mother’s tiny balcony into a two-story sunroom.  I stared at the house, remembering less than I had expected about my teenage years: no good times, no bad times.  I’d lived in that place, for a while, as a teenager.  It didn’t seem to be any part of who I was now.

I backed the car out of the driveway.

What I did not see until 2016 was the beauty of the rest of the book.  A boy, a nameless boy, lives in a large and rambling old house in rural England.  His father’s business is failing and, to keep money coming in, the family begins letting out rooms.  One of these lodgers is an aggressive opal miner from South Africa, who runs over the boy’s cat on his way to the house.  The next night, he steals the family’s car and drives it to the end of the road and kills himself.  When the car is discovered, with the body in it, the boy is sent to the neighboring Hempstock farmhouse while his father calls the police.

Any fan of mythology will immediately recognize the Mother, Maiden and Crone in the Hempstocks.  Lettie Hempstock appears as an 11 year old girl and takes in the boy and makes a friend of him.  Her mother, Ginnie Hempstock, and her grandmother, Old Mrs. Hempstock, keep an eye on the farm and fields as they have always done.  It doesn’t take them long to notice that an ancient creature was wakened with the lodger’s suicide.

The Hempstocks are magical, but they are of the old and wild magic of the ancient stories.  When Lettie takes him with her to go banish the creature that the miner’s death awakened, the boy is drawn into a dangerous world of primeval monsters, with only the Hempstocks at the end of the lane to protect him.

The plot sounds something like any fantasy journey novel, but The Ocean at the End of the Lane reads differently, largely because Gaiman writes with a Hemingwayesque simplicity.  He throws in zingers that feel incredibly true and familiar, particularly for those of us that feel a kinship with the lost and lonely boy.

Nobody came to my seventh birthday party.

There was a table laid with jellies and trifles, with a party hat beside each place, and a birthday cake with seven candles on it in the center of the table.  The cake had a book drawn on it, in icing.  My mother, who had organized the party, told me that the lady at the bakery said that they had never put a book on a birthday cake before, and that mostly for boys it was footballs or spaceships.  I was their first book.

I kept stopping to admire Gaiman’s paragraphs, because his writing is so elegant.  The story itself is simple — it is the tale of a boy on an adventure that takes him no further than the end of the road that he lives on.  His world is a child’s world, small and intense in detail.  The protagonist’s voice is so good, rarely slipping out of the understanding of a seven-year-old and it feels very, very real.

I was shivering convulsively and I was wet through and I was cold, very cold.  It felt like all my heat had been stolen.  The wet clothes clung to my flesh and dripped cold water onto the floor.  With every step I took my sandals made comical squelching noises, and water oozed from the little diamond-shaped holes on the top of the sandals.

When the biggest monster of the story appears, she appears as the boy’s nanny.  As such characters usually are, she’s entrancing to the boy’s parents and sister, but terrible to the boy.  The unfairness of his treatment grates, particularly as she becomes more and more threatening to the boy’s survival.

“Everybody wants money,” she said, as if it were self-evident.  “It makes them happy.  It will make you happy, if you let it.”  We had come out by the heap of grass clippings, behind the circle of green grass that we called the fairy ring: sometimes, when the weather was wet, it filled with vivid yellow toadstools.

“Now,” she said.  “Go to your room.”

I ran from her–ran as fast as I could, across the fairy ring, up the lawn, past the rosebushes, past the coal shed and into the house.

Ursula Monkton was standing just inside the back door of the house to welcome me in, although she could not have got past me.  I would have seen.  Her hair was perfect, and her lipstick seemed freshly applied.

And then it gets worse.  And then better, because the boy has made a friend in Lettie Hempstock.  The Hempstocks are entrancing, as old as the earth itself, and their ways are straight out of a thousand fairy tales.  The Hempstock farm is a place that you can’t help but want to visit, with it’s roaring wall-sized kitchen fireplace and good-smelling stews and roasted carrots.

Lettie’s mother was already hauling a tin bath from beneath the kitchen table, and filling it with steaming water from the enormous black kettle that hung above the fireplace.  Pots of cold water were added until she pronounced it the perfect temperature.

“Right.  In you go,” said Old Mrs. Hempstock.  “Spit-spot.”

I looked at her, horrified.  Was I going to have to undress in front of people I didn’t know?

The Hempstocks remind us that a world that is filled with evil must also be filled with love.

The Ocean at the End of the Lane is a simple story, but a beautiful story, in the way that only simple stories can be. I highly recommend that you read it through, then turn around and read it again.

I’ll meet you at the end.

  • Publisher:William Morrow and Company
  • Publish Date: June 18, 2013
  • Hardcover: 178 pages
  • ISBN: 9780062255655
  • Language: English
  • Rating: 5 of 5 stars

Genre: adventure, fantasy, fiction, magic realism
Subjects: coming of age, fantasy, healing, love, magic, nature, survival
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The Loss of Civility

There’s a new coffee shop by the train station that opened over the summer.  In a world of Starbucks and Walmarts, it is a welcome relief to the monotony of grande cups and jazzy backgrounds.  It is in a tiny space, which previously belonged to a failed news stand and, before that, a coffee stand that only served cold bagels.

Sometimes I think that I have been in this town too long, now that I can remember the history of spaces.

But I like this shop.  It’s taken the craft approach, offering everything that you’d find at Starbucks at higher quality.  The pumpkin latte leaves a smudge of actual squash in the bottom of your cup.  The baked goods are kosher yogurt muffins where you can sink your teeth into the actual fruit.  I’ve been determined to help it thrive, which is helped by the fact that I’ve been horrible at getting out of bed lately, and often arrive at the train station needing breakfast.

The baristas take their jobs as coffee artists so seriously that I imagine that they’re all part owners. It might be so.  Every morning that I forget my breakfast, I go and choose between the big muffin and the small muffin, and I make such a stink out of it that the big blonde fellow grins every time I go for the big one.

One morning, a new customer came in behind me.  Most of America would know the type.  He was dressed for work, in an outfit that tells you that this is a man who worked with his hands.  Perhaps a mechanic, perhaps in the trades.  His jacket was the tough rough leather of a welder’s jacket and he wore jeans made for work.  When he ordered, he asked for a small coffee with sugar and a corn muffin.  He pointed at the glass display.

“I’m sorry, sir, but that’s a lime coconut yogurt muffin,” my favorite Viking told him.

“What?” He looked closer at the muffins, where a sign declared the new world order in a bubbly script.  “Don’t you have corn muffins?”

“No, sir.  Just what’s there, sir.”

The man looked over the selection, then shook his head.  “Forget it.  Just the coffee.”

When he left, he was shaking his head.  And, because I am in Trump country, I thought, Is he a Trump voter?  Is this the demographic?  The man just wanted a corn muffin and a coffee, like he’s probably been ordering at his favorite deli for 30 years, but now he can’t have it.  He could have lime coconut or apple yogurt or pumpkin spice loaf, but the classics have disappeared from our offerings.

I watched him walk away without his breakfast, embarrassed for the coffee shop, although it is just a symbol of its time.  Why should they carry a product that isn’t exciting and new?  They have to compete with the green mermaid machine, like everyone else.

Before Hurricane Sandy, there was a real New York deli right there that would have blown this coffee shop out of business in a matter of weeks.  But their store was destroyed by the storm, so they packed up and found a new location two towns away, much too far for the commuters at my station.  We have had to shift without our classic bagels and eggs and plain coffees with milk and sugar.  And the world that rebuilt never filled those needs again.  My new little coffee shop is the closest, but it doesn’t suit everyone.

And watching this man, I understood a little better about all the people who have been left behind by our shifting economics.

The man just wanted a corn muffin.  What’s so bad about that?

 


 

Living through this Presidential election season has been hard for me.  I have been joking-not-joking that 2016 is the year that White America discovered that racism is still a thing, as Trump’s candidacy grew ever more blunt about its willingness to incite anti-immigrant fervor. As the wife of an immigrant and the mother of a child with dual citizenship, this has been terrifying.  Even though I know that no one is thinking of the big Irish guy when they’re spouting off about “the Mexicans” or “the terrorists,” it’s hard to watch the violence and the ugliness of the rhetoric.  And it has been surprising to me, even though I live in a neighborhood that is deeply religious, to find out how many people have been willing to give a pass to the nastier things that he’s been saying because of how much they hate Hilary Clinton.

As the election progressed, Trump signs sprouted like daffodils on the lawns of my neighbors.  Every time I passed one, it felt like a slap in the face, as people that I’d liked shouted their support.  And I am trying to be better than this, but it’s difficult for me to look past a willingness to ignore such dangerous rhetoric.

Except.

Except there is a part of me that must be honest enough to myself to admit that there have been times where I have reacted to the injustices suffered by Black Americans with gratitude that that sort of thing was not my problem.  Until not so long ago, it happened every time an unarmed Black man was shot by the police under suspicious circumstances.  It happened when Rodney King was beaten in the early 90s.  I would shake my head and be enraged by the injustice of it, by how unstoppable the system seemed.  And then I would think, “Thank God that won’t happen to me,” and go on with my day.

I don’t feel that way any more.

Thanks to Trump, I have discovered just how many of the people in my life are okay with the way things are.  That is white privilege in a nutshell.  The Trump supporters that I know are not evil people.  But they are people who have made peace with a man who says vile things, who are content to let the problems of other people be their problems.  And they have made me feel afraid, in a way that has opened my eyes to the feelings of many dark skinned Americans.

And that was before his tape with Billy Bush leaked.

 


 

It is good that we are having big national conversations about sexual assault.   One of the best parts of the way that our culture is changing is that we’re starting to talk about rape culture, which was a phrase I’d never even heard until I was in my 20s.  I remember the epiphany, as a young woman, that we should be asking men to talk to men about rape, rather than spending our lives trying to protect ourselves from it.  It was a radical notion, this thought that men could be responsible for fixing this problem that predominantly affects women.

Sometimes it is easy to forget how far we have come, in a relatively short period of time.  It was only a hundred years ago that we even gained the vote, much less the right to sue for sexual harassment or spousal rape.

Since the tape leaked, I have been thinking of the times when a man has forced a kiss on me, in the way that Trump described.  I spent about a week vividely reliving those moments — the fear and the anger that came with it.  When a coworker made a joke about locker room talk, I know I was supposed to laugh, but I could only shudder.  I’ve been fortunate in my life and have only suffered the garden variety level of sexual harassment.  I don’t consider myself traumatized in any way by these experiences, though I am nervous when I encounter strange men.  The events that I’ve been thinking about were both strangers, who pushed themselves onto me in public places.  In the first, I was a sixteen year old girl sitting at a bus stop.  The man had been bothering me for several days, so I asked him to just leave me alone and to go away.  There were others there, and I remember their faces distinctly because after he kissed me,  I jumped up and screamed at him while they stared at me like I was the problem.

And not one of them got up to help me, because it was not their problem.  It was not happening to them.

The second incident happened one night on the subway here in New York.  It was about ten o’clock at night on a week night and I was coming home from a dinner out with friends.  Sitting in a nearly empty train car, I was studying for work.  The man approached me and asked for money, over and over again.  He wouldn’t go away, so I finally gave him some change to make him leave me alone.  When I did, he decided to kiss me.  Years later, I can still feel the wet imprint of his lips on my forearm, which I threw up above my head to deflect him and defend myself.  I remember the faces of the two women who got on the train at the next stop, who I asked to switch cars for their own safety.

Garden variety harassment, as I mentioned.  I do not know a single woman who has not had multiple experiences like these.

No real harm done, except…except that I have a certain distrust of men that I do not know, because of all the times that men have behaved this way around me.  When I first heard “The Story,” a song by The Great Ani, I thought, “Oh.  Oh yes, this.  This is exactly it.”  The lyrics are a bit of poetry:

Ani DifrancoI would have returned your greeting
if it weren’t for the way you were looking at me
this street is not a market
and I am not a commodity
don’t you find it sad that we can’t even say hello
’cause you’re a man
and I’m a woman
and the sun is getting low
there are some places that I can’t go
as a woman I can’t go there
and as a person I don’t care
I don’t go for the hey baby what’s your name
and I’d alone thank you
just the same

 

Since the tape leaked, the Trump signs in my neighborhood have come down.  I am filled with gratitude for that, as it lets me stop thinking of the men that have objectified and attacked me and all the people that look like me.

Maybe that is a start.  Maybe it’s a move towards the empathy that we need to create a kinder world where your problems are my problems. I can only hope that at the end of all this ugliness, we’ll all have learned something about ourselves and the country and culture we want to create.

As the Great Ani sings:

we’re all citizens of the womb
before we subdivide
into sexes and shades
this side
that side
and I don’t need to tell you
what this is about
Undressing for the fan
Like it was a man
Wondering about all the things
That I’ll never understand
there are some things that you can’t know
unless you’ve been there
but oh how far we could go
if we started to share
I don’t need to tell you
what it is about
you just start on the inside
you just start on the inside
and work your way out
“Work Your Way Out,” Ani DiFranco
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A Little Story

It is October and I have been writing short stories for most of the past year, among other things. More on that later. But I was reminded the other day of my favorite Hallowe’en story, read by one of my favorite authors, so I thought I would share it with you.

The world might be dark and scary outside, but I just wanted to remind you that literature can make it even scarier.

Happy Hallowe’en!

 

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